[57], Crystal Cubism, and its associative rappel à l'ordre, has been linked with an inclination—by those who served the armed forces and by those who remained in the civilian sector—to escape the realities of the Great War, both during and directly following the conflict. [81] Czech Cubist architects also designed Cubist furniture. Contact first occurred via European texts translated and published in Japanese art journals in the 1910s. Le fauvisme, le cubisme et le futurisme furent taxés d’arts abstraits en leurs temps, mais ils en représentaient un courant plus « léger » puisque les éléments en étaient facilement déchiffrables. [21], Louis Vauxcelles, in his review of the 26th Salon des Indépendants (1910), made a passing and imprecise reference to Metzinger, Gleizes, Delaunay, Léger and Le Fauconnier as "ignorant geometers, reducing the human body, the site, to pallid cubes. Published in Le Petit Comtois, 13 March 1914, Paintings by Fernand Léger, 1912, La Femme en Bleu, Woman in Blue, Kunstmuseum Basel; Jean Metzinger, 1912, Dancer in a café, Albright-Knox Art Gallery; and sculpture by Alexander Archipenko, 1912, La Vie Familiale, Family Life (destroyed). (1965). Information and translations of Cubism in the most comprehensive dictionary definitions … In addition to Seurat, the roots of cubism are to be found in the two distinct tendencies of Cézanne's later work: first his breaking of the painted surface into small multifaceted areas of paint, thereby emphasizing the plural viewpoint given by binocular vision, and second his interest in the simplification of natural forms into cylinders, spheres, and cones. The term analytical cubism describes the early phase of cubism, generally considered to run from 1908–12, characterised by a fragmentary …, Synthetic cubism is the later phase of cubism, generally considered to run from about 1912 to 1914, characterised by simpler …, Constructivism was a particularly austere branch of abstract art founded by Vladimir Tatlin and Alexander Rodchenko in Russia around 1915, Orphism was an abstract, cubist influenced painting style developed by Robert and Sonia Delaunay around 1912, Neo-plasticism is a term adopted by the Dutch pioneer of abstract art, Piet Mondrian, for his own type of abstract …, He preferred to be seen as an artist within the great European tradition of Juan Gris and Georges Braque, while …, This paper explores Picasso’s approach to sculptural materials during the cubist years through a close examination of his 1914 construction …, Feel the excitement and anxiety generated by the modern city, Find out how combining everyday objects and materials became a new technique for twentieth-century artists, Discover the fascinating career of Wifredo Lam, one of the most iconic Cuban artists of the twentieth-century, Picasso and Modern British Art at Tate Britain I, Information about the Picasso and British Art discussion at Tate Britain. [37][38] Duchamp's Nude Descending a Staircase, No. Its effects on later art, on film, and on architecture are already so numerous that we hardly notice them. Kahnweiler sold only to a small circle of connoisseurs. Léger was based in Montparnasse. Le fauvisme joue dans la cour de l’avant-garde. It is difficult to apply to painters such as Jean Metzinger, Albert Gleizes, Robert Delaunay and Henri Le Fauconnier, whose fundamental differences from traditional Cubism compelled Kahnweiler to question whether to call them Cubists at all. The Salon Cubists used the faceted treatment of solid and space and effects of multiple viewpoints to convey a physical and psychological sense of the fluidity of consciousness, blurring the distinctions between past, present and future. Juan Gris et la métaphore plastique, Feuilles Libres, 1923; Quelques Intentions du Cubisme, Bulletin de I'Effort Moderne, nos. The article was titled The "Cubists" Dominate Paris' Fall Salon and subtitled Eccentric School of Painting Increases Its Vogue in the Current Art Exhibition – What Its Followers Attempt to Do. Voir plus d'idées sur le thème Sonia delaunay, Cubisme, Femme artiste. Laurens designed the fountain, Csaky designed Doucet's staircase,[74] Lipchitz made the fireplace mantel, and Marcoussis made a Cubist rug. Voir plus d'idées sur le thème Cubisme, Art plastique, Peinture. They met regularly at Henri le Fauconnier's studio near the boulevard du Montparnasse. The historical study of Cubism began in the late 1920s, drawing at first from sources of limited data, namely the opinions of Guillaume Apollinaire. [French cubisme, from cube, cube; see cube.] [51] In 1911, the poet and critic Guillaume Apollinaire accepted the term on behalf of a group of artists invited to exhibit at the Brussels Indépendants. Léonce Rosenberg exhibited not only the artists stranded by Kahnweiler's exile but others including Laurens, Lipchitz, Metzinger, Gleizes, Csaky, Herbin and Severini. Published on the front page of El Correo Catalán, 25 April 1912, (center) Jean Metzinger, c.1913, Le Fumeur (Man with Pipe), Carnegie Museum of Art, Pittsburgh; (left) Alexander Archipenko, 1914, Danseuse du Médrano (Médrano II), (right) Archipenko, 1913, Pierrot-carrousel, Solomon R. Guggenheim Museum, New York. 24 nov. 2012 - Explorez le tableau « ARTS - Cubisme » de Valérie Cadieux, auquel 1920 utilisateurs de Pinterest sont abonnés. Exhibited at the Salon des Indépendants, 1913, Pablo Picasso, 1913–14, Femme assise dans un fauteuil (Eva), Woman in an Armchair, oil on canvas, 149.9 x 99.4 cm, Leonard A. Lauder Cubist Collection, Juan Gris, 1915, Nature morte à la nappe à carreaux (Still Life with Checked Tablecloth), oil and graphite on canvas, 116.5 x 89.2 cm, Metropolitan Museum of Art, Leonard A. Lauder collection, Jean Metzinger, April 1916, Femme au miroir (Femme à sa toilette, Lady at her Dressing Table), oil on canvas, 92.4 x 65.1 cm, private collection, Juan Gris, October 1916, Portrait of Josette, oil on canvas, 116 x 73 cm, Museo Reina Sofia, Madrid, Pablo Picasso, 1918, Arlequin au violon (Harlequin with Violin), oil on canvas, 142 x 100.3 cm, The Cleveland Museum of Art, Ohio, Gino Severini, 1919, Bohémien Jouant de L'Accordéon (The Accordion Player), Museo del Novecento, Milan, Albert Gleizes, 1920, Femme au gant noir (Woman with Black Glove), oil on canvas, 126 x 100 cm, National Gallery of Australia, Paintings by Albert Gleizes, 1910–11, Paysage, Landscape; Juan Gris (drawing); Jean Metzinger, c.1911, Nature morte, Compotier et cruche décorée de cerfs. They became friendly rivals and competed with each other throughout their careers, perhaps leading to Picasso entering a new period in his work by 1907, marked by the influence of Greek, Iberian and African art. After World War I, with the support given by the dealer Léonce Rosenberg, Cubism returned as a central issue for artists, and continued as such until the mid-1920s when its avant-garde status was rendered questionable by the emergence of geometric abstraction and Surrealism in Paris. Mouvement pictural d’avant-garde qui date des années 1960 et qui se caractérise par des œuvres schématisées et construites selon des règles strictes. Exhibited in Room 41, Salon des Indépendants 1911, Armory Show 1913, Georges Braque, 1910, Violin and Candlestick, oil on canvas, 60.96 x 50.17 cm, San Francisco Museum of Modern Art, Jean Metzinger, 1910–11, Deux Nus (Two Nudes, Two Women), oil on canvas, 92 x 66 cm, Gothenburg Museum of Art, Sweden. L'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud), The Cubist Painters, Aesthetic Meditations, Soldat jouant aux échecs (Soldier at a Game of Chess, Le Soldat à la partie d'échecs), École nationale supérieure des Beaux-Arts, Le Dépiquage des Moissons (Harvest Threshing), Les Joueurs de football (Football Players), Femme au miroir (Femme à sa toilette, Lady at her Dressing Table), Femme au gant noir (Woman with Black Glove), Nature morte, Compotier et cruche décorée de cerfs, l'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud), Fondation Gleizes, Chronologie (in French), Robert Delaunay, Eiffel Tower (Tour Eiffel), 1911 (dated 1910 by the artist). [4] A retrospective of Cézanne's paintings had been held at the Salon d'Automne of 1904, current works were displayed at the 1905 and 1906 Salon d'Automne, followed by two commemorative retrospectives after his death in 1907. In 1908, in his review of Georges Braque's exhibition at Kahnweiler's gallery, the critic Louis Vauxcelles called Braque a daring man who despises form, "reducing everything, places and a figures and houses, to geometric schemas, to cubes". The Salon de la Section d'Or at the Galerie La Boétie in Paris, October 1912, was arguably the most important pre-World War I Cubist exhibition; exposing Cubism to a wide audience. Jacques Villon exhibited seven important and large drypoints, while his brother Marcel Duchamp shocked the American public with his painting Nude Descending a Staircase, No. Close. Next Post. Pablo Picasso was also inspired by African tribal masks which are highly stylised, or non-naturalistic, but nevertheless present a vivid human image. Definition of Cubism in the Definitions.net dictionary. According to Daniel Robbins, "To suggest that merely because these artists developed differently or varied from the traditional pattern they deserved to be relegated to a secondary or satellite role in Cubism is a profound mistake."[51]. [12] Douglas Cooper's restrictive use of these terms to distinguish the work of Braque, Picasso, Gris (from 1911) and Léger (to a lesser extent) implied an intentional value judgement.[4]. Dictionnaire Art > Definition #V. V Vanité . 2. In 1913–14 Léger produced a series entitled Contrasts of Forms, giving a similar stress to color, line and form. Many Cubists, including Picasso, Braque, Gris, Léger, Gleizes, and Metzinger, while developing other styles, returned periodically to Cubism, even well after 1925. They brought different views of subjects (usually objects or figures) together in the same picture, resulting in paintings that … But "this view of Cubism is associated with a distinctly restrictive definition of which artists are properly to be called Cubists," wrote the art historian Christopher Green: "Marginalizing the contribution of the artists who exhibited at the Salon des Indépendants in 1911 [...]"[4], The assertion that the Cubist depiction of space, mass, time, and volume supports (rather than contradicts) the flatness of the canvas was made by Daniel-Henry Kahnweiler as early as 1920,[18] but it was subject to criticism in the 1950s and 1960s, especially by Clement Greenberg. Du "Cubisme", also written Du Cubisme, ... a series of ideas that still today define the fundamental characteristics of Cubist art. Cubism after 1918 can be seen as part of a wide ideological shift towards conservatism in both French society and culture. William H. Robinson, Jordi Falgàs, Carmen Belen Lord, Journal officiel de la République française. noun. The Dalmau exhibition comprised 83 works by 26 artists. Cubism as a publicly debated movement became relatively unified and open to definition. Published in "Les Annales politiques et littéraires", Le Paradoxe Cubiste, 14 March 1920, Paintings by Gino Severini, 1911, Souvenirs de Voyage; Albert Gleizes, 1912, Man on a Balcony, L’Homme au balcon; Severini, 1912–13, Portrait de Mlle Jeanne Paul-Fort; Luigi Russolo, 1911–12, La Révolte. Cubism has been considered the most influential art movement of the 20th century. These ambitious works are some of the largest paintings in the history of Cubism. Par contre, la lumière est répartie sur chaque fragment. His theoretical studies soon advanced into many different architectural projects. [4], Cubism formed an important link between early-20th-century art and architecture. The poets generally associated with Cubism are Guillaume Apollinaire, Blaise Cendrars, Jean Cocteau, Max Jacob, André Salmon and Pierre Reverdy. [42], The Cubist contribution to the 1912 Salon d'Automne created scandal regarding the use of government owned buildings, such as the Grand Palais, to exhibit such artwork. One even wonders why the artist has not used cubes of solid matter diversely colored: they would make pretty revetments." The 1911 New York Times article portrayed works by Picasso, Matisse, Derain, Metzinger and others dated before 1909; not exhibited at the 1911 Salon. The motif of the viaduct at l'Estaque had inspired Braque to produce three paintings marked by the simplification of form and deconstruction of perspective. 27 déc. It was against this background of public anger that Jean Metzinger and Albert Gleizes wrote Du "Cubisme" (published by Eugène Figuière in 1912, translated to English and Russian in 1913). [39] While press coverage was extensive, it was not always positive. It mirrored the attitudes of the "artists of Passy", which included Picabia and the Duchamp brothers, to whom sections of it were read prior to publication. 2 was exhibited for the first time. [27][28], Among all the paintings on exhibition at the Paris Fall Salon none is attracting so much attention as the extraordinary productions of the so-called "Cubist" school. [59][60], The Cubism of Picasso and Braque had more than a technical or formal significance, and the distinct attitudes and intentions of the Salon Cubists produced different kinds of Cubism, rather than a derivative of their work. We would like to hear from you. This familiar explanation "fails to give adequate consideration to the complexities of a flourishing art that existed just before and during the period when Picasso's new painting developed. Exhibited at the 1913 Armory Show, Francis Picabia, 1912, La Source (The Spring), oil on canvas, 249.6 x 249.3 cm, Museum of Modern Art, New York, Fernand Léger, 1912–13, Nude Model in the Studio (Le modèle nu dans l'atelier), oil on burlap, 128.6 x 95.9 cm, Solomon R. Guggenheim Museum, New York. Cubism and modern European art was introduced into the United States at the now legendary 1913 Armory Show in New York City, which then traveled to Chicago and Boston. Arts plastiques (m. pluriel) L’Art relève de l’artifice parce qu’il fabrique des objets qui ne sont pas naturels, mais artificiels (art et artifice ont la même racine).Un art est appelé plastique: a) lorsqu’il est modelable dans une matière; b) lorsqu’il s’attache essentiellement aux problèmes de la construction des formes. Histoire Art > Futurisme; Futurisme Le futurisme naît dans le prolongement du concept du cubisme, à Milan. Réaliser un portrait … This article was published a year after Gelett Burgess' The Wild Men of Paris,[26] and two years prior to the Armory Show, which introduced astonished Americans, accustomed to realistic art, to the experimental styles of the European avant garde, including Fauvism, Cubism, and Futurism. The idea of the Section d'Or originated in the course of conversations between Metzinger, Gleizes and Jacques Villon. [44] The Cubists were defended by the Socialist deputy, Marcel Sembat.[44][45][46]. Arts visuels - Arts plastiques A la manière de Picasso Qui était Pablo Picasso ? Architecture, MoMA, Grove Art Online, Oxford University Press, Albert Gleizes and Jean Metzinge, except from. HANGING DECORATION. [17] Gertrude Stein referred to landscapes made by Picasso in 1909, such as Reservoir at Horta de Ebro, as the first Cubist paintings. [16], Georges Braque's 1908 Houses at L’Estaque (and related works) prompted Vauxcelles, in Gil Blas, 25 March 1909, to refer to bizarreries cubiques (cubic oddities). Cubism definition is - a style of art that stresses abstract structure at the expense of other pictorial elements especially by displaying several aspects of the same object simultaneously and by fragmenting the form of depicted objects. Cubism was applied to architecture only in Bohemia (today Czech Republic) and especially in its capital, Prague. "[51] Between 1905 and 1908, a conscious search for a new style caused rapid changes in art across France, Germany, The Netherlands, Italy, and Russia. Kubismus ist eine Stilrichtung in der Kunstgeschichte.Er entstand aus einer Bewegung der Avantgarde in der Malerei ab 1906 in Frankreich. [4], By 1911 Picasso was recognized as the inventor of Cubism, while Braque's importance and precedence was argued later, with respect to his treatment of space, volume and mass in the L’Estaque landscapes. 2, which itself caused a scandal, even amongst the Cubists. [55] Clarifying their aims as artists, this work was the first theoretical treatise on Cubism and it still remains the clearest and most intelligible. [4] Joseph Csaky, after Archipenko, was the first sculptor in Paris to join the Cubists, with whom he exhibited from 1911 onwards. They represented all the surfaces of depicted objects in a single picture plane, as if the objects had all their faces visible at the same time. Léger described this name as 'perfect'. During the autumn of 1909 Picasso sculpted Head of a Woman (Fernande) with positive features depicted by negative space and vice versa. Alternative interpretations of Cubism have therefore developed. More fundamentally, Christopher Green argues that Douglas Cooper's terms were "later undermined by interpretations of the work of Picasso, Braque, Gris and Léger that stress iconographic and ideological questions rather than methods of representation. The terms "analytical" and "synthetic" which subsequently emerged have been widely accepted since the mid-1930s. The most extreme forms of Cubism were not those practiced by Picasso and Braque, who resisted total abstraction. Cadre avec montants et feuille gaufrée plastique pour ruche Langstroth Vous avez une expérience en: Arts Plastiques pour un emploi dans le secteur: Arts Plastiques en Côte d´ivoire ? Enrich your vocabulary with the French Definition dictionary The tightening of the compositions, the clarity and sense of order reflected in these works, led to its being referred to by the critic Maurice Raynal as 'crystal' Cubism. Attempts were made by Louis Vauxcelles to argue that Cubism was dead, but these exhibitions, along with a well-organized Cubist show at the 1920 Salon des Indépendants and a revival of the Salon de la Section d’Or in the same year, demonstrated it was still alive. They were inevitably more aware of public response and the need to communicate. Les codes sont bousculés, les couleurs rayonnent et ne s’apparentent à rien de déjà vu. [1], "Mare's ensembles were accepted as frames for Cubist works because they allowed paintings and sculptures their independence", Christopher Green wrote, "creating a play of contrasts, hence the involvement not only of Gleizes and Metzinger themselves, but of Marie Laurencin, the Duchamp brothers (Raymond Duchamp-Villon designed the facade) and Mare's old friends Léger and Roger La Fresnaye". And just as in painting, it became a pervasive influence and contributed fundamentally to Constructivism and Futurism. [34][35][36] Jacques Nayral's association with Gleizes led him to write the Preface for the Cubist exhibition,[31] which was fully translated and reproduced in the newspaper La Veu de Catalunya. This showing by Metzinger, Gleizes, Delaunay, le Fauconnier and Léger brought Cubism to the attention of the general public for the first time. [21][29] Juan Gris, a new addition to the Salon scene, exhibited his Portrait of Picasso (Art Institute of Chicago), while Metzinger's two showings included La Femme au Cheval (Woman with a horse) 1911–1912 (National Gallery of Denmark). The name ‘cubism’ seems to have derived from a comment made by the critic Louis Vauxcelles who, on seeing some of Georges Braque’s paintings exhibited in Paris in 1908, described them as reducing everything to ‘geometric outlines, to cubes’. Aller à : navigation, rechercher. [48], A significant modification of Cubism between 1914 and 1916 was signaled by a shift towards a strong emphasis on large overlapping geometric planes and flat surface activity. Early Futurist paintings hold in common with Cubism the fusing of the past and the present, the representation of different views of the subject pictured at the same time, also called multiple perspective, simultaneity or multiplicity,[9] while Constructivism was influenced by Picasso's technique of constructing sculpture from separate elements. [48], The group seems to have adopted the name Section d'Or to distinguish themselves from the narrower definition of Cubism developed in parallel by Pablo Picasso and Georges Braque in the Montmartre quarter of Paris, and to show that Cubism, rather than being an isolated art-form, represented the continuation of a grand tradition (indeed, the golden ratio had fascinated Western intellectuals of diverse interests for at least 2,400 years).[49]. The novel features narratives of the diverse experiences of 15 characters which, when taken together, produce a single cohesive body. Berger, John. The result, not solely a collaboration between its two authors, reflected discussions by the circle of artists who met in Puteaux and Courbevoie. [25], At the Salon d'Automne of the same year, in addition to the Indépendants group of Salle 41, were exhibited works by André Lhote, Marcel Duchamp, Jacques Villon, Roger de La Fresnaye, André Dunoyer de Segonzac and František Kupka. Cubism was a revolutionary new approach to representing reality invented in around 1907–08 by artists Pablo Picasso and Georges Braque. Georges Braque, Fernand Léger, Raymond Duchamp-Villon, Roger de La Fresnaye and Alexander Archipenko also contributed examples of their cubist works. art; autumn; falltree; trees; autumn; drawing; how to draw; others; watch video: how to make: see more: SCAN THIS QR CODE WITH YOUR PHONE. However, the cubists explored this concept further than Cézanne. Cubism burgeoned between 1907 and 1911. Spectators at the Salon d'Automne passed through the plaster facade, designed by Duchamp-Villon, to the two furnished rooms. Published in "Les Annales politiques et littéraires", Sommaire du n. 1536, décembre 1912, Jean Metzinger, c.1911, Nature morte, Compotier et cruche décorée de cerfs; Juan Gris, 1911, Study for Man in a Café; Marie Laurencin, c.1911, Testa ab plechs; August Agero, sculpture, Bust; Juan Gris, 1912, Guitar and Glasses, or Banjo and Glasses. Artiste utilisant tous les supports pour son travail, il est considéré comme le fondateur du cubisme. Both Duchamp in 1912 and Picabia from 1912 to 1914 developed an expressive and allusive abstraction dedicated to complex emotional and sexual themes. These soirées often included writers such as Guillaume Apollinaire and André Salmon. By breaking objects and figures down into distinct areas – or planes – the artists aimed to show different viewpoints at the same time and within the same space and so suggest their three dimensional form. The leading Cubist architects were Pavel Janák, Josef Gočár, Vlastislav Hofman, Emil Králíček and Josef Chochol. 4 mars 2016 - Découvrez le tableau "Cubisme" de Sylvie Blouin sur Pinterest. Cubism. Cubism opened up almost infinite new possibilities for the treatment of visual reality in art and was the starting point for many later abstract styles including constructivism and neo-plasticism. [4], The Section d'Or, also known as Groupe de Puteaux, founded by some of the most conspicuous Cubists, was a collective of painters, sculptors and critics associated with Cubism and Orphism, active from 1911 through about 1914, coming to prominence in the wake of their controversial showing at the 1911 Salon des Indépendants. [4], In contrast, the Salon Cubists built their reputation primarily by exhibiting regularly at the Salon d'Automne and the Salon des Indépendants, both major non-academic Salons in Paris. Paris: Gallimard, 1967; Etudes de sociologie de l’art, Paris: Éd. However, the linking of basic geometric forms with inherent beauty and ease of industrial application—which had been prefigured by Marcel Duchamp from 1914—was left to the founders of Purism, Amédée Ozenfant and Charles-Édouard Jeanneret (better known as Le Corbusier,) who exhibited paintings together in Paris and published Après le cubisme in 1918. 2924–2929. The indignation of the politician Jean Pierre Philippe Lampué made the front page of Le Journal, 5 October 1912. Il ose peindre des natures mortes vues sur plusieurs angles où les objets et les personnages sont … Débats parlementaires. A second phase, Synthetic Cubism, remained vital until around 1919, when the Surrealist movement gained popularity. This is quite different from the free association of the Surrealists and the combination of unconscious utterance and political nihilism of Dada. Apollinaire supported these early developments of abstract Cubism in Les Peintres cubistes (1913),[24] writing of a new "pure" painting in which the subject was vacated. What do they mean? It does not harmonize with this or that ensemble; it harmonizes with things in general, with the universe: it is an organism...". [4][51] The concept developed in Du "Cubisme" of observing a subject from different points in space and time simultaneously, i.e., the act of moving around an object to seize it from several successive angles fused into a single image (multiple viewpoints, mobile perspective, simultaneity or multiplicity), is a generally recognized device used by the Cubists. [4] Already in 1910 a group began to form which included Metzinger, Gleizes, Delaunay and Léger. Beginning in 1912 Delaunay painted a series of paintings entitled Simultaneous Windows, followed by a series entitled Formes Circulaires, in which he combined planar structures with bright prismatic hues; based on the optical characteristics of juxtaposed colors his departure from reality in the depiction of imagery was quasi-complete. In France and other countries Futurism, Suprematism, Dada, Constructivism, Vorticism, De Stijl and Art Deco developed in response to Cubism. ‘A head’, said Picasso, ‘is a matter of eyes, nose, mouth, which can be distributed in any way you like’. "If Kahnweiler considers Cubism as Picasso and Braque," wrote Daniel Robbins, "our only fault is in subjecting other Cubists' works to the rigors of that limited definition. Published in Le Journal, 30 September 1911, Paintings by Juan Gris, Bodegón; August Agero (sculpture); Jean Metzinger, 1910–11, Deux Nus, Two Nudes, Gothenburg Museum of Art; Marie Laurencin (acrylic); Albert Gleizes, 1911, Paysage, Landscape. Yet, Cubism itself remained evolutionary both within the oeuvre of individual artists, such as Gris and Metzinger, and across the work of artists as different from each other as Braque, Léger and Gleizes. Published in La Publicidad, 26 April 1912, Umberto Boccioni, 1911, La rue entre dans la maison; Luigi Russolo, 1911, Souvenir d’une nuit. [75][76][77], The original Cubist architecture is very rare. "[22][23] At the 1910 Salon d'Automne, a few months later, Metzinger exhibited his highly fractured Nu à la cheminée (Nude), which was subsequently reproduced in both Du "Cubisme" (1912) and Les Peintres Cubistes (1913). Instant PDF downloads. [67], At the 1912 Salon d'Automne an architectural installation was exhibited that quickly became known as Maison Cubiste (Cubist House), with architecture by Raymond Duchamp-Villon and interior decoration by André Mare along with a group of collaborators. Is it art or madness? In spite of the crazy nature of the "Cubist" theories the number of those professing them is fairly respectable. In the field of American fiction, William Faulkner's 1930 novel As I Lay Dying can be read as an interaction with the cubist mode. As American poet Kenneth Rexroth explains, Cubism in poetry "is the conscious, deliberate dissociation and recombination of elements into a new artistic entity made self-sufficient by its rigorous architecture.